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Performance: Updating the Vocabulary
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Composing Dance
Rachid Ouramdane
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From the Vault
Five Archival Dance Pieces
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A Retrospective Look at Iconic Butoh Artist Ushio Amagatsu
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Jiří Kylián on Paving the Way for Aging in the Dance World
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Dance Games Are Reshuffling Relationship Between Art, Play, and Cultural Education
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Niche Controversy Exposes the Precarity of Dance Philosophers in France
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Drag Artists Breaking Into the Contemporary Dance World
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Professional Jazz Dancers in France Navigate a World of Challenges and Opportunities
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Labor Unions in the Dance World (1):
Stepping Towards Collective Organizing
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Photographer Olivia Bee:
“Insignificant Gesture Becomes Extraordinary When You’re Giving It Attention”
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Marco da Silva Ferreira Doesn’t Fear Conflict, He Choreographs It
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Contemporary African Dance is Breaking through the Western “Gaze”
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There Are Still Too Few Female Choreographers in Ballet. Why?
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Dance Spaces
Ramdam, a Center for the Arts
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From the Vault
How contact improvisation took root in France
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Pop, Electro, Olympic: A Haute Culture Parade
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The Lasting Impressions of Café Müller
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Dakar, Brussels and Then Paris: Drumming, Supersized
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Dancing With Death, to Bring It Back to Life?
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Four Years After Brexit, British Dance Is Turning over a New Leaf
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Preparing “Arthletes” to Break at the Olympic Games
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The Olympic Ceremonies: Are the Dances Visionary or Ideological?
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Dance Institutions and Race: Moving From Words to Action
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Defining Mental Health for Dancers
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Composing Dance
Nach
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Behind the Craft
Myriam Gourfink
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Dance Spaces
La Chaufferie
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From the Vault
Hiking, Painting, and Dancing Around the Hills of Auvergne
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Fault Lines on the Coastline: Merce Cunningham’s Beach Birds for Camera
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Beyond Carmen and Toreros: Queering Flamenco
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On the Ice, Skaters Are Slowly Gliding Towards New Moves
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United in Loss: The Dance Sisters of Paradox-Sal Crew
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A Japanese Village Where Dancing and Farming Bodies Met
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Jérôme Bel, Albeit With No Jérôme Bel
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Call Me May B: Audiences Remember Maguy Marin’s Masterpiece
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In France, Waacking Shines on the Biggest Stages
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Contemporary African Dance,
an Economy Spanning Two Continents -
In Caen Amour, Trajal Harrell Takes the Audience Backstage
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From Brazil to France and Back Again:
Two Ballerinas’ Transatlantic Journey -
Behind the Craft
Aina Alegre
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As the Relationship to Work Changes,
Where Does Dance Stand? -
Dance Places
La Maison de la danse de Lyon
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Prophétique (on est déjà né·es): Transgender Performers Speak Their Truth
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Ballets And Opera Houses (2): Who Holds the Purse Strings?
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Forty years of Pina Bausch’s Tanztheater Wuppertal on Screen
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Philip Glass Keeps Inspiring Choreographers. Here’s Why
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Relative Calm: Lucinda Childs’ Mathematical Equation
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Loïe Fuller, A Subversive Pioneer
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Dancing with Philip Glass:
Chanon Judson & Leonardo Sandoval -
Roof Piece by Trisha Brown.
Looking Out Into the Distance
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Gisèle Vienne:
“Violence Is a Structural Language and a Culture”
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Hair Rollers, Sponges and a Runaway Smile:
Lucinda Childs’ Carnation -
Extreme Bodies: The Photographer’s Perspective
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Ever the Pioneers, Never Legitimate:
Women in Dance -
Dance and Choreography in Gymnastics:
A Tricky Balance -
Euripides Laskaridis Transmuted Artistic Misery
Into Creative Success -
Jean-Claude Gallotta, Alfresco: Un chant presque éteint
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Immersive for Whom? A Writer and Two Artists Discuss
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Marie Taglioni: Muse or Agent to Her Father?
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Teaching Dance in Rural Areas,
a Strong Yet Precarious Commitment -
Krump, the Explosive Dance Sweeping Across Global Stages
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From the Vault: “New” Circus – in 1929
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Contemporary Circus: Great Ambitions vs.
A Fragile Economic Model -
Ballet And Opera Houses (1): A Tricky Pas de Deux
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For Exiled Ukrainian Dancers, a New Life in France
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Composing Dance
Chloé Moglia
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Behind the Craft
Boris Charmatz
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Dance Places
L'échangeur - CDCN
Hauts-de-France -
Supporting the Career Transitions of Dancers
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Building Up French Dance:
Françoise Dupuy -
From the vault
A “Liturgical Dance” on the Cusp of War
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An Entire Night
with Tatiana Julien
& Anna Gaïotti -
Gaga, Gutsy, Grounded:
Bobbi Jene Smith Lands
at the Paris Opera
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Dance Places
La Briqueterie
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Choreographing Against AIDS
Elisabeth Lebovici
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Composing Dance
François Chaignaud
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Behind the Craft
Maud Le Pladec
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For Two Brazilian Students,
French Dance Retains Its Aura
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When the Big (And Small) Screen Inspires Dance
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Pam Tanowitz’s Choreographic Career Is Blooming – Later in Life
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Probing Modernity
Through Butoh:
Akaji Maro
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From the Vault
Remembering Raimund Hoghe
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“Studying Here Opens a Lot of Doors”
Behind the Scenes
at P.A.R.T.S.
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How HIV/AIDS Still Haunts the Dance World
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Some Companies
Are Improving Dancers’
Health. Here's How
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From the vault
Social dancing in Upper Brittany
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From the vault
Platée, "ballet bouffon"
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Dancing Materials: Ola Maciejewska
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Is Disability Becoming More Visible in Dance?
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"A tense, searing ballet"
Clement Crisp on Mayerling
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Yuval Pick
“Singing Means Being Aligned” -
When Dancers Find
Their Voices on Stage -
Too Many Dance Creations in France? A Controversial State Audit Says So.
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Dance Places
Ballet national de Marseille
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Behind the scenes of Navy Blue, with Oona Doherty
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Via Katlehong: South African History, Gone Global
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Behind the Craft
Noé Soulier
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Two “Neighbours,” Brought Together by Forsythe
Brigel Gjoka
and Rauf Yasit
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Bouchra Ouizguen: Sorority, Loud and Proud
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Listening to
Laurence Louppe -
Composing Dance
Béatrice Massin
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French, Creole, Basque:
The Quadrille, Common Ground for Multiple Identities
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Behind the Craft
Gisèle Vienne
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Rudolf Nureyev
Around 1960
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Dance Places
Olivia Grandville / Mille Plateaux - CCN La Rochelle
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One Kilometre of Dance
Takes Over Pantin -
Freeing Ballet From The Stain of Yellowface
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Eisa Jocson, "Macho" Woman
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Composing Dance
Christian Rizzo
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A Decade of 20 Dancers for the 20th Century
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Two Women, Two Men, a Man and a Woman – And All of Them Romeo and Juliet
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From the Vault
Andy De Groat
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Bringing Back Andy De Groat, One Step at a Time
