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CN D Magazine

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#0 juin 22

Behind the Craft

Gisèle Vienne

CN D magazine - Gisèle Vienne, capsule 1

CN D magazine - Gisèle Vienne, capsule 2

CN D magazine - Gisèle Vienne, capsule 3

Behind the Craft

Gisèle Vienne

The One Thousand and One Dances of Scheherazade across time

Decolonizing dance (1): Filling in the gaps in history from France and Belgium

Dance in psychiatric wards: freeing the mind through the body

Dance Spaces : CCNRB

After Buru Isaac Mohlabane’s passing, the dream for a Pantsula Dance Academy lives on

Archiving hip-hop to foster intergenerational transmission

Moving Balkans invigorates contemporary dance across southeastern Europe

Dance Theatre of Harlem, a historical haven for African-American dancers, returns to France

une assemblée des gestes exposes the process of making

Choreographers under pressure: dealing with failure

Uniting to defend dance on a European scale

Three years, three takes on CN D Magazine

The Metamorphoses of François Chaignaud, An Ecology of Creation

Dance Spaces – Charleroi Danse

Camping: Inside a Workshop

Christian Rizzo: “Choreography Isn’t Just for Choreographers”

Amateur Dances the Grand Palais: A Deep Dive Into Boris Charmatz’ Cercles

In the favelas of Rio, the next generation in contemporary dance is emerging

Hip-Hop dance and the Institution: Who Shapes its Future?

Tao Dance Theater, China, and Postmodernism

Laurent Sebillotte, a Pragmatic Architect for Dance Archives

100 Years Later, the Martha Graham Dance Company “Never Gets Old”

Eating Disorders in the Dance World (2): Are We Doing Enough?

Creation in Cultural Mediation: How the Assemblé Program Works

Dancing Outdoors: Loïe Fuller Beyond the Stage

KFDA: 30 Years of International Networking and Artistic Innovation

Looking Back on 10 Years of “Camping” Through Photography

For Young Dancers, the Trickiest Moves Often Come After Graduation

Rising Contemporary Dance Maker Némo Flouret’s Radical Creative Freedom

When Dance Meets Soccer, Creative Alchemy Happens on Stage

The Student Dance Recital Gets No Respect. Maybe It Should

At Artistic Residencies in the Mountains Choreographers Create on a Higher Ground

From the Vault: Janine Solane’s Notebooks, Music, Drawing and Dance

“We dreamed so big and so loud”: Maud Le Pladec, One Year After the Paris Olympics

Workshop: Updating the Vocabulary

Why Are Dancers So Vulnerable When It Comes to Eating Disorders? (1)

Remembering Dada Masilo: The Choreographer who Transformed Classical Ballet Through an African Lens

Metamorphosis in Motion: Linda Hayford’s Choreographic Alchemy

Exposing Systemic Violence in the Dance World

From Postmodern Dance to Nihon-Buyō, Yasuko Yokoshi Does Away With Categories

Dance Gains Momentum in the Caribbean

From the Vault: Nijinski in London – A Missed Opportunity

Choreographing for the Next Generation: Reinventing Dance for Young Audiences

Dance Spaces: Sadler’s Wells

Dance Gains Momentum in the Caribbean

A Kid-sized Dance Exhibition

Trisha Brown’s Choreographic Legacy Ripples On

The Shifting Landscape for Independent Dance Companies in France

Labor Unions in the Dance World (2): Speaking Up and Being Heard

Merce Cunningham on the Path to Zen

Marco da Silva Ferreira Doesn’t Fear Conflict, He Choreographs It

Professional Jazz Dancers in France Navigate a World of Challenges and Opportunities

Labor Unions in the Dance World (1): Stepping Towards Collective Organizing

Olivia Bee: “Insignificant Gesture Becomes Extraordinary When You’re Giving It Attention”

Composing Dance: Rachid Ouramdane

From the Vault: Five Archival Dance Pieces

Niche Controversy Exposes the Precarity of Dance Philosophers in France

A Retrospective Look at Iconic Butoh Artist Ushio Amagatsu

Performance: Updating the Vocabulary

Jiří Kylián on Paving the Way for Aging in the Dance World

Drag Artists Breaking Into the Contemporary Dance World

Dance Games Are Reshuffling Relationship Between Art, Play, and Cultural Education

There Are Still Too Few Female Choreographers in Ballet. Why?

Pop, Electro, Olympic: A Haute Culture Parade

Dance Spaces: Ramdam, a Center for the Arts

Preparing “Arthletes” to Break at the Olympic Games

Dakar, Brussels and Then Paris: Drumming, Supersized

The Olympic Ceremonies: Are the Dances Visionary or Ideological?

Dancing With Death, to Bring It Back to Life?

Contemporary African Dance Is Breaking through the Western ‘Gaze’

The Lasting Impressions of Café Müller

From the Vault: How contact improvisation took root in France

Four Years After Brexit, British Dance Is Turning over a New Leaf

In France, Waacking Shines on the Biggest Stages

Dance Spaces: La Chaufferie

Composing Dance: Nach

A Japanese Village Where Dancing and Farming Bodies Met

Dance Institutions and Race: Moving From Words to Action