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Performance: Updating the Vocabulary
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Dance Games Are Reshuffling Relationship Between Art, Play, and Cultural Education
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Niche Controversy Exposes the Precarity of Dance Philosophers in France
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Drag Artists Breaking Into the Contemporary Dance World
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Professional Jazz Dancers in France Navigate a World of Challenges and Opportunities
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Labor Unions in the Dance World (1):
Stepping Towards Collective Organizing
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Marco da Silva Ferreira Doesn’t Fear Conflict, He Choreographs It
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Contemporary African Dance is Breaking through the Western “Gaze”
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There Are Still Too Few Female Choreographers in Ballet. Why?
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The Lasting Impressions of Café Müller
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Dakar, Brussels and Then Paris: Drumming, Supersized
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Dancing With Death, to Bring It Back to Life?
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Four Years After Brexit, British Dance Is Turning over a New Leaf
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Preparing “Arthletes” to Break at the Olympic Games
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The Olympic Ceremonies: Are the Dances Visionary or Ideological?
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Dance Institutions and Race: Moving From Words to Action
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Defining Mental Health for Dancers
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Beyond Carmen and Toreros: Queering Flamenco
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On the Ice, Skaters Are Slowly Gliding Towards New Moves
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United in Loss: The Dance Sisters of Paradox-Sal Crew
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Jérôme Bel, Albeit With No Jérôme Bel
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Call Me May B: Audiences Remember Maguy Marin’s Masterpiece
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In France, Waacking Shines on the Biggest Stages
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Contemporary African Dance,
an Economy Spanning Two Continents -
From Brazil to France and Back Again:
Two Ballerinas’ Transatlantic Journey -
As the Relationship to Work Changes,
Where Does Dance Stand? -
Prophétique (on est déjà né·es): Transgender Performers Speak Their Truth
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Ballets And Opera Houses (2): Who Holds the Purse Strings?
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Forty years of Pina Bausch’s Tanztheater Wuppertal on Screen
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Philip Glass Keeps Inspiring Choreographers. Here’s Why
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Loïe Fuller, A Subversive Pioneer
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Dancing with Philip Glass:
Chanon Judson & Leonardo Sandoval -
Ever the Pioneers, Never Legitimate:
Women in Dance -
Euripides Laskaridis Transmuted Artistic Misery
Into Creative Success -
Immersive for Whom? A Writer and Two Artists Discuss
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Marie Taglioni: Muse or Agent to Her Father?
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Teaching Dance in Rural Areas,
a Strong Yet Precarious Commitment -
Krump, the Explosive Dance Sweeping Across Global Stages
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Contemporary Circus: Great Ambitions vs.
A Fragile Economic Model -
Ballet And Opera Houses (1): A Tricky Pas de Deux
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For Exiled Ukrainian Dancers, a New Life in France
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Supporting the Career Transitions of Dancers
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Gaga, Gutsy, Grounded:
Bobbi Jene Smith Lands
at the Paris Opera
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For Two Brazilian Students,
French Dance Retains Its Aura
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When the Big (And Small) Screen Inspires Dance
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Pam Tanowitz’s Choreographic Career Is Blooming – Later in Life
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Probing Modernity
Through Butoh:
Akaji Maro
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How HIV/AIDS Still Haunts the Dance World
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Some Companies
Are Improving Dancers’
Health. Here's How
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Dancing Materials: Ola Maciejewska
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Is Disability Becoming More Visible in Dance?
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"A tense, searing ballet"
Clement Crisp on Mayerling
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Yuval Pick
“Singing Means Being Aligned” -
When Dancers Find
Their Voices on Stage -
Too Many Dance Creations in France? A Controversial State Audit Says So.
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Via Katlehong: South African History, Gone Global
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Two “Neighbours,” Brought Together by Forsythe
Brigel Gjoka
and Rauf Yasit
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Bouchra Ouizguen: Sorority, Loud and Proud
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French, Creole, Basque:
The Quadrille, Common Ground for Multiple Identities
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Freeing Ballet From The Stain of Yellowface
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Eisa Jocson, "Macho" Woman
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A Decade of 20 Dancers for the 20th Century
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Two Women, Two Men, a Man and a Woman – And All of Them Romeo and Juliet
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Bringing Back Andy De Groat, One Step at a Time
