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CN D Magazine

#0 June 22

Dance Places
Olivia Grandville / Mille Plateaux - CCN La Rochelle

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États de lieux : Olivia Grandville à Mille Plateaux - CCN La Rochelle

Dance Places Olivia Grandville / Mille Plateaux - CCN La Rochelle

Metamorphosis in Motion: Linda Hayford’s Choreographic Alchemy

Exposing Systemic Violence in the Dance World

From Postmodern Dance to Nihon-Buyō, Yasuko Yokoshi Does Away With Categories

Dance Gains Momentum in the Caribbean

From the Vault: Nijinski in London – A Missed Opportunity

Choreographing for the Next Generation: Reinventing Dance for Young Audiences

Dance Spaces: Sadler’s Wells

Dance Gains Momentum in the Caribbean

A Kid-sized Dance Exhibition

Trisha Brown’s Choreographic Legacy Ripples On

The Shifting Landscape for Independent Dance Companies in France

Labor Unions in the Dance World (2): Speaking Up and Being Heard

Merce Cunningham on the Path to Zen

Marco da Silva Ferreira Doesn’t Fear Conflict, He Choreographs It

Professional Jazz Dancers in France Navigate a World of Challenges and Opportunities

Labor Unions in the Dance World (1): Stepping Towards Collective Organizing

Olivia Bee: “Insignificant Gesture Becomes Extraordinary When You’re Giving It Attention”

Composing Dance: Rachid Ouramdane

From the Vault: Five Archival Dance Pieces

Niche Controversy Exposes the Precarity of Dance Philosophers in France

A Retrospective Look at Iconic Butoh Artist Ushio Amagatsu

Performance: Updating the Vocabulary

Jiří Kylián on Paving the Way for Aging in the Dance World

Drag Artists Breaking Into the Contemporary Dance World

Dance Games Are Reshuffling Relationship Between Art, Play, and Cultural Education

There Are Still Too Few Female Choreographers in Ballet. Why?

Pop, Electro, Olympic: A Haute Culture Parade

Dance Spaces: Ramdam, a Center for the Arts

Preparing “Arthletes” to Break at the Olympic Games

Dakar, Brussels and Then Paris: Drumming, Supersized

The Olympic Ceremonies: Are the Dances Visionary or Ideological?

Dancing With Death, to Bring It Back to Life?

Contemporary African Dance Is Breaking through the Western ‘Gaze’

The Lasting Impressions of Café Müller

From the Vault: How contact improvisation took root in France

Four Years After Brexit, British Dance Is Turning over a New Leaf

In France, Waacking Shines on the Biggest Stages

Dance Spaces: La Chaufferie

Composing Dance: Nach

A Japanese Village Where Dancing and Farming Bodies Met

Dance Institutions and Race: Moving From Words to Action

Call Me May B: Audiences Remember Maguy Marin’s Masterpiece

Fault Lines on the Coastline: Merce Cunningham’s Beach Birds for Camera

Beyond Carmen and Toreros: Queering Flamenco

Jérôme Bel, Albeit With No Jérôme Bel

Contemporary African Dance, an Economy Spanning Two Continents

Behind the Craft: Myriam Gourfink

From the Vault: Hiking, Painting, and Dancing Around the Hills of Auvergne

Defining Mental Health for Dancers

United in Loss: The Dance Sisters of Paradox-Sal Crew

On the Ice, Skaters Are Slowly Gliding Towards New Moves

In Caen Amour, Trajal Harrell Takes the Audience Backstage

Hair Rollers, Sponges and a Runaway Smile: Lucinda Childs’ Carnation

Ballets And Opera Houses (2): Who Holds the Purse Strings?

Gisèle Vienne: “Violence Is a Structural Language and a Culture”

Behind the Craft: Aina Alegre

Prophétique (on est déjà né·es): Transgender Performers Speak Their Truth

Dancing with Philip Glass: Chanon Judson & Leonardo Sandoval

Roof Piece by Trisha Brown. Looking Out Into the Distance

Loïe Fuller, A Subversive Pioneer

Relative Calm: Lucinda Childs’ Mathematical Equation

Forty years of Pina Bausch’s Tanztheater Wuppertal on Screen

Philip Glass Keeps Inspiring Choreographers. Here’s Why

Dance Places: La Maison de la danse de Lyon

From Brazil to France and Back Again: Two Ballerinas’ Transatlantic Journey

As the Relationship to Work Changes, Where Does Dance Stand?

Krump, the Explosive Dance Sweeping Across Global Stages

Dance Places: L'échangeur - CDCN Hauts-de-France

Behind the Craft: Boris Charmatz

Dance and Choreography in Gymnastics: A Tricky Balance

Ever the Pioneers, Never Legitimate: Women in Dance

For Exiled Ukrainian Dancers, a New Life in France

Contemporary Circus: Great Ambitions vs. A Fragile Economic Model

Ballet And Opera Houses (1): A Tricky Pas de Deux Isabelle Calabre

Composing Dance: Chloé Moglia

Immersive for Whom? A Writer and Two Artists Discuss

Marie Taglioni: Muse or Agent to Her Father?

Extreme Bodies: The Photographer’s Perspective

Supporting the Career Transitions of Dancers

Dance Places
Olivia Grandville / Mille Plateaux - CCN La Rochelle