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CN D Magazine

#0 June 22

Behind the Craft

Gisèle Vienne

CN D magazine - Gisèle Vienne, capsule 1

CN D magazine - Gisèle Vienne, capsule 2

CN D magazine - Gisèle Vienne, capsule 3

Behind the Craft

Gisèle Vienne

In France, Waacking Shines on the Biggest Stages

Dance Spaces: La Chaufferie

Composing Dance: Nach

A Japanese Village Where Dancing and Farming Bodies Met

Dance Institutions and Race: Moving From Words to Action

Call Me May B: Audiences Remember Maguy Marin’s Masterpiece

Fault Lines on the Coastline: Merce Cunningham’s Beach Birds for Camera

Beyond Carmen and Toreros: Queering Flamenco

Jérôme Bel, Albeit With No Jérôme Bel

Contemporary African Dance, an Economy Spanning Two Continents

Behind the Craft: Myriam Gourfink

From the Vault: Hiking, Painting, and Dancing Around the Hills of Auvergne

Defining Mental Health for Dancers

United in Loss: The Dance Sisters of Paradox-Sal Crew

On the Ice, Skaters Are Slowly Gliding Towards New Moves

In Caen Amour, Trajal Harrell Takes the Audience Backstage

Hair Rollers, Sponges and a Runaway Smile: Lucinda Childs’ Carnation

Ballets And Opera Houses (2): Who Holds the Purse Strings?

Gisèle Vienne: “Violence Is a Structural Language and a Culture”

Behind the Craft: Aina Alegre

Prophétique (on est déjà né·es): Transgender Performers Speak Their Truth

Dancing with Philip Glass: Chanon Judson & Leonardo Sandoval

Roof Piece by Trisha Brown. Looking Out Into the Distance

Loïe Fuller, A Subversive Pioneer

Relative Calm: Lucinda Childs’ Mathematical Equation

Forty years of Pina Bausch’s Tanztheater Wuppertal on Screen

Philip Glass Keeps Inspiring Choreographers. Here’s Why

Dance Places: La Maison de la danse de Lyon

From Brazil to France and Back Again: Two Ballerinas’ Transatlantic Journey

As the Relationship to Work Changes, Where Does Dance Stand?

Krump, the Explosive Dance Sweeping Across Global Stages

Dance Places: L'échangeur - CDCN Hauts-de-France

Behind the Craft: Boris Charmatz

Dance and Choreography in Gymnastics: A Tricky Balance

Ever the Pioneers, Never Legitimate: Women in Dance

For Exiled Ukrainian Dancers, a New Life in France

Contemporary Circus: Great Ambitions vs. A Fragile Economic Model

Ballet And Opera Houses (1): A Tricky Pas de Deux Isabelle Calabre

Composing Dance: Chloé Moglia

Immersive for Whom? A Writer and Two Artists Discuss

Marie Taglioni: Muse or Agent to Her Father?

Extreme Bodies: The Photographer’s Perspective

Supporting the Career Transitions of Dancers

Jean-Claude Gallotta, Alfresco: Un chant presque éteint

From the Vault: “New” Circus – in 1929

Euripides Laskaridis Transmuted Artistic Misery Into Creative Success

Teaching Dance in Rural Areas, a Strong Yet Precarious Commitment

How HIV/AIDS Still Haunts the Dance World

An Entire Night With Tatiana Julien & Anna Gaïotti

Choreographing Against AIDS: Élisabeth Lebovici

“Studying Here Opens a Lot of Doors”: Behind the Scenes at P.A.R.T.S.

Behind the Craft: Maud Le Pladec

Remembering Raimund Hoghe

Some Companies Are Actively Improving Dancers’ Health. Here’s How

Probing Modernity Through Butoh: Akaji Maro

Dance Places: La Briqueterie

Gaga, Gutsy, Grounded: Bobbi Jene Smith Lands at the Paris Opera

From the Vault: A “Liturgical Dance” on the Cusp of War

For Two Brazilian Students, French Dance Retains Its Aura

When the Big (And Small) Screen Inspires Dance

Composing Dance: François Chaignaud

Building Up French Dance: Françoise Dupuy

Pam Tanowitz’s Choreographic Career Is Blooming – Later in Life

Behind the scenes of Navy Blue with Oona Doherty

Composing Dance, Baroque : le sens du mot aujourd’hui, Béatrice Massin

Dance Places: Ballet national de Marseille

Too Many Dance Creations in France? A Controversial State Audit Says So.

Listening to Laurence Louppe

Via Katlehong: South African History, Gone Global

Two “Neighbours,” Brought Together by Forsythe: Brigel Gjoka and Rauf Yasit

Bouchra Ouizguen’s Éléphant: Sorority, Loud and Proud

French, Creole, Basque: The Quadrille, Common Ground for Multiple Identities

From the vault: Social dancing in Upper Brittany

Behind the Craft : Noé Soulier

Yuval Pick “Singing Means Being Aligned”

"A tense, searing ballet": Clement Crisp on Mayerling

When Dancers Find Their Voices on Stage

Is Disability Becoming More Visible in Dance?